The Book of Thoth

thoth-c-02Setna is a recurring character in ancient Egyptian literature. One of the sons of Rameses II, Setna was an accomplished magician, statesman, scholar, and something of an adventurer. His position as the son of the pharaoh, but too far down the line ever to rule is actually a common one for the court scribe. That he existed is no question, but like King Arthur and other quasi-historical figures, his exploits have no doubt been inflated over the years.

This story dates to several centuries following the reign of Rameses. By this time stories of Setna had reached epic proportions, and the former court scribe was elevated to the status of mythic hero. This is one of the more complete stories told about him, and certainly one of the best.

Loudly do the people sing of Setna, son of the Great Rameses, most learned man in Egypt. A great scholar, he was able to read all of the old writings and decipher the most ancient texts. No symbol in Egypt was unknown to him, even the ones on the walls of the crumbling temples from the oldest of days. He was also a mighty magician, perhaps the mightiest in Egypt, for he had learned the magical arts from the secret texts that not even the priests of Amen-Ra could read.
Because of this, he would often spend his days studying ancient writings and listening to the stories told by the elders and the scribes. Every day his servants would bring him rolls of papyrus from libraries and temples all over Egypt. He would read them and his scribes would make copies of them to place in his father's library. Thus Rameses' kingdom was a kingdom of learning.

One day he read in a crumbling scroll about another son of another pharaoh who had been a scribe and magician: Nefrekeptah, the son of Amenhotep. He had lived three hundred years earlier and had been regarded as the mightiest magician in Egypt, for he had found and read the Book of Thoth, the secrets of the god of wisdom. The Book of Thoth was a collection of magics that would enable the reader to know the language of the animals, to cast great spells, even to enchant the sky and the earth itself!
Setna desired the book for himself that he too might drink of its knowledge. He learned that it had been buried with Nefrekeptah at the Memphis necropolis. Setna sought his brother, the mighty Anheru and asked him for help.

"I will go with you, my brother," said Anheru, "I shall be your sword and shield."

It was not difficult to find Nefrekeptah's tomb. As they were the sons of the pharaoh, the priests allowed them to enter. The brothers broke the seals and made their way to the central chamber. There lay Nefrekeptah in his sarcophagus with a great roll of papyrus on his chest. To his left and right there were two chairs. In one of the chairs was the ghostly ka of a woman, in the other sat the ka of a young man.

Setna and Anheru bowed to the two kas and to the body of Nefrekeptah. Setna said, "Osiris keep you in peace, O prince and scribe, and you two who sit beside him in eternity. I am Setna, scribe and magician to my father the pharaoh as you were to yours. I have come to claim the Book of Thoth for my own. I ask you for it peacefully, but I have the power to take it if I choose."

Then the ka of the woman spoke, "Do not take the Book of Thoth, Setna. It is not for you to read, nor for any mortal. Nefrekeptah did not heed the warnings given him, and so his life was filled with sorrow. Misfortune followed him all the days of his life, even claiming the lives of his wife Ahura, and their son Merab. We are they whose kas you see before you, never knowing the Blessed Land because of his lust for knowledge. Listen to my tale, and learn well.
"Know that Nefrekeptah and I were the children of Amenhotep, may Osiris keep him in peace, and according to custom became husband and wife. Merab, our son, was soon born to us, and we lived happily. Nefrekeptah was a man of learning, and craved to know all things. Forever he was reading the ancient books and walking through the old temples and tombs, copying down the sacred writings. "

One day as he was studying thus, an old priest came up to him and said, 'All that is written here is worthless, for it is the work of mortals. I can tell you where to find the knowledge of the gods themselves, the knowledge of Thoth. It is written in his book and hidden away. By reading it you will learn the language of the beasts, how to see the wind and how to hear the sun, the secrets of the gods and the songs of the stars.'

Nefrekeptah's heart leaped within him, for he desired to read of this book. He asked the old priest where it was, promising him anything he wished.

The priest told him, 'Give me a hundred bars of silver for my tomb and a royal proclamation that I be buried like a king.'

Nefrekeptah did all that the priest asked, and the priest told him where he might find the Book of Thoth.

'In the middle of the Nile at Koptos, guarded by snakes and scorpions and a mighty serpent who cannot be killed, in an iron box, in which there is a bronze box, in which there is a wooden box, in which there is an ivory and ebony box, in which there is a silver box, in which there is a golden box, there you shall find the Book of Thoth.'

"Nefrekeptah hastened home and told me all that he had done. I was afraid, for the things of the gods are not for us to touch. Yet he would not be swayed . He beseeched our father for the use of the royal barque. This was granted, and Nefrekeptah, myself, and our son Merab set sail that evening.

"We sailed up the Nile to Koptos, where we offered up sacrifices to Isis and Horus, asking them for success. The next day, Nefrekeptah went to the riverbank and cast a great spell. He summoned up a magic rope that would bind itself to anything he commanded it to and could not be broken or loosed. He cast the rope into the river, commanding it to seek out the iron box.

"After an hour he commanded that the rope lift out of the water. It did so, and brought with it the iron box guarded by snakes and scorpions and the mighty serpent who cannot be killed. It was set upon the ground. Nefrekeptah spoke a word of power, and the snakes and scorpions became as still as stone. Then the great serpent rose to strike, it could not be affected by magic. Nefrekeptah drew his sword and struck off its head in one blow. But the head and the body sprang back together and the serpent rose to strike again. Three times did Nefrekeptah strike, and three times did the serpent become whole again.

"Nefrekeptah had a plan. He called to his servant and asked him to empty a large jar from the ship's hold and to bring it to him. When the servant returned, Nefrekeptah took hold of the serpent's head, struck it off, threw it into the jar and closed the lid. Nefrekeptah commanded his servant to cast the jar into the Nile. The serpent's body thrashed about, but could not find its head.

"Then Nefrekeptah went harmlessly to the box. He opened the iron box, then the bronze box, then the wooden box, then the ivory and ebony box, then the silver box, and then the golden box. In the golden box he found the book and took it. He unrolled the scroll and read from it. Instantly he learned the language of the beasts, how to see the wind and how to hear the sun, the secrets of the gods and the songs of the stars.

"He then gave it to me and bade me read, and I too learned the language of the beasts, how to see the wind and how to hear the sun, the secrets of the gods and the songs of the stars.
"Nefrekeptah then took papyrus and ink and wrote down all the spells from the Book of Thoth. Then taking a pot of beer he washed the ink into a cup and drank it so that the spells entered him and he would not forget them.

"After this we set sail for Memphis. But misfortune overtook us. A strange power seized Merab and caused him to jump into the river and drown. But Nefrekeptah used a spell from the Book to raise Merab from the depths. Yet no magic could bring him back to life, for life is given only by Ra. Yet Nefrekeptah beseeched Merab's ka to speak of what happened.

"Merab's ka said, in the hollow voice of the dead, 'Know that Thoth has discovered what you have done, and has gone to Amen-Ra. And Amen-Ra has given him leave to deal with you as he chooses, but Amen-Ra is sending you great sorrow as punishment, the first of which is to take me from you.'

"We left Merab's body at Koptos where the Ritual of Life was said over him and he was lain in a tomb. We lamented at his loss and our hearts were broken with grief. Nefrekeptah then gave the order to sail once more.

"As we passed the place where Merab had drowned, a power seized me as well and I stepped off into the river and drowned. But Nefrekeptah used a spell from the Book to raise me from the depths. Yet no magic could bring me back to life, for life is given only by Ra. Yet Nefrekeptah beseeched my ka to speak of what happened.

"I said, in the hollow voice of the dead, 'Know that Thoth has discovered what you have done, and has gone to Amen-Ra. And Amen-Ra has given him leave to deal with you as he chooses, but Amen-Ra is sending you great sorrow as punishment, the second of which is to take me from you.'

"And so as with Merab, Nefrekeptah left my body at Koptos where it too was entombed beside Merab. Nefrekeptah sailed in sorrow to Memphis, but when it arrived, he too was dead, holding the Book of Thoth on his chest, the third sorrow. And so Nefrekeptah was buried as a prince, and the kas of myself and our son come to him to watch over him.

"All this was because we took what was not ours and would not heed the warnings. We took the property of the gods and used it as mortals, and mortals have no claim to the things of the gods, neither do you have claim to the Book of Thoth. So I say unto you, if you would not have the sorrows we have, leave the book where it lies for all eternity."

thothAnd Setna was filled with awe at the tale, but he was not afraid. He knew he was mightier than Nefrekeptah had been, and his lust for knowledge took hold of him. He spoke in the voice of magic, "Give me the Book of Thoth, or I will use my power to cast you from this place." And the kas of Ahura and Merab drew back in fear.

But then the ka of Nefrekeptah arose from his body and said, "Setna, if you still persist in this quest, even after hearing the tale of sorrows of this family destroyed by the book, the book shall be yours. But you must win it from me in a game of Senet. Will you do this?"

And Setna replied, "I will play for the book."

So the Senet board was brought, and the pieces taken out and placed upon the board. They commenced to play. And Nefrekeptah got his first piece off the board, and Setna sank into the ground to his ankles. Nefrekeptah got his second piece off the board, and Setna sank to his waist. Nefrekeptah got his third piece off the board, and Setna sank to his neck. Quickly he beseeched his brother, "Anheru, bring my magic staff that I may free myself!" And Anheru gave his brother the magic staff. As soon as it was in his hand, Setna worked a great magic and sprang out of the ground. The ka of Nefrekeptah screamed, but he no longer had power over Setna.

Setna grabbed the Book of Thoth and he and Anheru fled the tomb. Behind them, the ka of Ahura cried aloud, but the ka of Nefrekeptah swore that Setna would return the book, crawling upon his hands and knees.

Soon Setna and Anheru stood before their father Rameses and told him all that had happened. Rameses said, "Setna my son, return the Book of Thoth to the tomb. It destroyed Nefrekeptah, and if you would be wise, you would remove it from you lest it do the same to you. Be sure that Nefrekeptah still has power in this world and he will use it to work sorrow upon you until you return the book, crawling upon your hands and knees."

But Setna did not listen to his father, and kept the book. He spent many hours studying it, learning all that it contained. His magic grew powerful, and his knowledge great, for he knew the language of the beasts, how to see the wind and how to hear the sun, the secrets of the gods and the songs of the stars. Many came from all over Egypt to hear his wisdom and to learn from him.

One day, as he sat on the steps of the palace giving counsel, he saw the most beautiful woman he had ever seen passing by. With her was an entourage of serving-maids, and she was dressed in robes of white with gold thread, a golden girdle, and a headdress of gold. Setna could not believe that such beauty could be found among mortals.

He asked those with him, "Who could she be?"

One, the governor of a distant province, replied, "That is Tabubua, daughter of the high priestess of Bast."

Though Setna was married and had a son and a daughter, he forgot all these things in his desire. It was as if a spell had been cast upon him, and indeed he was bewitched, though even with all his power and knowledge of magic he could not see that he was. He desired only Tabubua, and longed to make her his.

He sent her a message, asking if he might come to her. Until he received her reply, he did not eat or drink, nor did he read from the Book of Thoth. Even his eternal quest for knowledge was set aside for the sake of this woman.

Her reply said that he was free to come and speak to her at her palace near Bubastis, the holy city of Bast, the wife of the great god Ptah. He went to her, and she welcomed him to her palace, offering him wine and sweetmeats.

He spoke of his desire for her, nay, of his love. She answered, "If you would make me yours, I must tell you that I am no mortal woman, but the child of Bast herself. Though mortal men may take many wives and may love many times, I cannot allow any rivals. Before we may be wed you must divorce your present wife and your children must be sacrificed and fed to the cats of Bast, lest they plot evil against our children."

And Setna, blind with desire and hardened by the pride of his ill-gotten knowledge, took out his stylus and papyrus, and wrote a decree of divorce against his wife and a command that his children be sacrificed and fed to the cats of Bast.

And when it was done, and the wails of his wife and the cries of his children reached Tabubua's ears, she came to him in her bridal robes. She stepped toward him, and Setna reached out his arms to clasp her. He held her close, saying "I have given up everything for you, my wife is a beggar, my children are slain, you have no rivals for my love!" But it was not a beautiful woman he held, but a withered corpse!

Setna screamed, and the darkness claimed him. He awoke to find himself lying on the road to Memphis, his father's city. There was no sign of the great palace of Tabubua, or Tabubua herself.

"All a dream," he said, "but a terrible one. To think that I could give up all I had so easily. To think that my pride and my lust would overcome me. This was a warning, that unless I undo what I have done, it will come to pass."

He hurried home to find his wife and children alive, and he held them as one holds precious things. He knew that he must return the Book of Thoth to Nefrekeptah.

Setna appeared before his father, the great Rameses, and told him of the dream and of his decision. Rameses said, "Setna, better that you come to your senses now than later. I did warn you that it would destroy you if you did not return it. Return the book to its keeper, and go there on hands and knees, in true contrition."

Setna did so, entering the tomb on his hands and knees, bowing before the sarcophagus of Nefrekeptah and the kas of Ahura and Merab. He begged Nefrekeptah to forgive him and to take back the book, lest it work the same misfortune on Setna as it had on Nefrekeptah.

Then the ka of Nefrekeptah appeared and spoke laughingly, "I said that you would return, crawling on your hands and knees, and so you have. Place the book in my dead hands. But there is one final thing you must do before you are free of punishment. This you must do, or the dream will come to pass."

This Setna did, then he looked up and asked, "What must I do, O scribe Nefrekeptah?"

The ka of Nefrekeptah replied, "Know that though I am buried here in Memphis, my wife and son still lie far away in their tomb at Koptos. I wish for us to be together once more, as a family should be. Bring their bodies to rest here with mine, that we may rejoice together for the first time in many ages. Bring their bodies to rest here with mine, that we may await together the Day of Awakening when Osiris returns to the world."

And Setna gave his word that he would do this. He hastened to his father, the great Rameses, and asked for the use of the royal barque and told him why he needed it. Rameses gave his blessing and wished his son all speed and the protection of Ptah.

Setna and his servants sailed up the Nile to Koptos where they offered up sacrifices to Isis and Osiris. They also sacrificed to Anubis, the guardian of the dead, and to his son Upuaut, the opener of the ways, to whom all tombs are known. But the priests could not tell Setna where Ahura and Merab were buried, for it had been long ago. Setna looked through the ancient writings and read the oldest carvings, but he could find no record of their burial.

Setna despaired and offered great riches to anyone who could help him find the tomb of Ahura and Merab. But no one came forth except for an old man who told Setna, "When I was a child, my grandfather's father (who was as old as I am now) told me that when he was a child, his grandfather's father had shown him the location of the tomb of Ahura and Merab, for when he had been a young man, in the reign of Amenhotep, he had lain them there himself. Follow me, and I will take you there"

Setna followed, and in an ancient field on the outskirts of Koptos, the old man told him to dig. Setna and his men dug, and found an ancient stone mastaba of the style common in Amenhotep's day. They opened the tomb and went in, finding the bodies of Ahura and Merab. The old man cried with joy and disappeared. Setna gave praise to the gods, knowing that it had been none other than the ka of Nefrekeptah, given power to walk among the living that he might show the way.

Setna and his servents carried the bodies back to Memphis, as if they had been the bodies of a pharaoh and his queen, on the royal barque with all honors.

And there in Memphis, Rameses himself led the funeral procession to Saqqara, the city of the dead, and Setna himself pronounced the rituals when they were laid in the tomb, to the left and to the right of the sarcophagus of Nefrekeptah. As they did so, Setna saw the three kas standing together, smiling at him, and he knew that the curse was lifted from him.

The funeral procession left the tomb and closed it up. Setna spoke a word of power, and the door became as the stone around it, and the stone became as the hills around it. He spoke another word, and a mighty sandstorm came up and buried the tomb so that none might find it again. There it lies hidden for all ages against its finding by mortals. And there lies hidden the Book of Thoth, held safely by Nefrekeptah, his wife Ahura, and their son Merab. They stand guard over it and await the Day of Awakening, when Osiris shall return to the world once more.

Australias connection to Egypt


Until receiving a phone call from Nina Angelo (OAM), I knew nothing of neither the struggles involved in protecting the land around Kariong (near Gosford) nor that part of this land was now on the market. When on-site I had seen a lot of tagged trees, and a for sale sign somewhere along a main road, but being unfamiliar with the whole region, nothing registered.

The land for sale contains the Gosford Glyphs, located near Kariong, about 60 km north of Sydney. This site features little known carved ‘ancient Egyptian’ hieroglyphs that were brought to light by various researchers in past decades.

We are convinced that close to this site, and never before seen by non-Aboriginals until discovered very recently, is a rock platform covered with a set of sacred engravings of considerable significance. On this large platform we saw a fish, serpent, massive dolphin or whale, circles and a variety of shapes and symbols.

Without doubt, it is an impressive gallery of ancient Aboriginal rock art deserving of protection. There is one life-sized engraving of Durramullan (son of Creation Spirit Biamie) that is so unique, utterly unexpected, and obviously sacred, decisions had to be made as to how it can be publicly described.

There is nothing remotely like it anywhere in Australia. And that’s it. That is all we have agreed to reveal. The photographs taken late in the afternoon on this site, and in particular those of Durramullan, should never be reproduced or published through any form of the media but…

Owing to the real possibility this land, irrespective of the credentials for or against the Gosford Glyphs, could be sold then developed, a different approach is compulsory. It has been our agreed stance to categorise all the sites/relics we are sharing as being ‘found within 2 hours of Sydney’, but that generalised approach doesn’t apply in this location. Those engravings, and other related platforms (one is actually located within this block) are now directly under threat.

The distance between this unique site and that of the Gosford Glyphs is far too close for coincidence or comfort. As to determining the bona fides of this supposed Egyptian site, we have one advantage. According to Dr. Hans-Dieter von Senff, who has produced a draft paper on the site:

These Hieroglyphs are real and have existed for some 4,500 years in Australia. In order to prove that these Proto-Egyptian glyphs are not graffiti, as claimed by various “Experts” and “Egyptologists,” but are the written record left by pre-historic man, written in a coherent and understandable language that makes sense even 4,500 years later. This site is no hoax, but a genuine archaeological discovery; as is proven by the newly discovered second set of glyphs.

The critics who dispute the origin of these engravings numbering over 300 are not sensitive to the bigger picture, and if proven to be engraved by Egyptians, these glyphs form a pivotal and historic epitaph to an Australian history very few suspect. The engravings were first properly translated by Ray Johnson, claimed to be proto-Egyptian and accepted “as correct by the General Director of Cairo Museum, Dr. Dia’ Abou-Ghazi.”1 However, despite the endorsement of the resident expert in Cairo, Australian academics with less impressive credentials are adamant this is an elaborate hoax.

The site includes an engraved Ankh (see image above courtesy of Steve Strong), an essential accompaniment to Thoth, placed alongside an Ibis footprint (Thoth’s recent animal counterpart) and what we believe to be the ‘River of Life’. Two Ibis-men engraved into rock, both in profile with the head of an ibis and body of a human, seem to resonate to the same ancient Egyptian theme. What really surprised us was that not only are the ibis and Thoth synonymous, but originally Thoth was depicted in ape-form. And it is this more ancient representation that is found twice in Australia, extending the horizons considerably. A statue found at Gympie, said to act as one of five sentries guarding the controversial seven-stepped pyramid at Gympie, is a depiction of Thoth in his more primal ape-like form and has been argued over and often ridiculed.

The recent discovery of an engraving of Durramullan, again in profile, is less open to debate. The pronounced long forehead and protruding lips is reminiscent of a baboon or one of the larger apes, and so out of context when carved into a continent lacking ape or monkey. The engraving is ancient, carved by an artist aware of an African animal and Egyptian deity supposedly unknown until the British invasion. In what only adds to the quality and quantity of this cross-cultural partnership, there are two sets of Aboriginal engravings, one containing 31 separate and distinct human characters and the other five figures, of which three have human bodies and what appears to be crocodile heads.

It is for these reasons, and many others, we are in complete agreement with Robert Lawlor, author of the highly regarded Voices of the First Day, when noting the same origin and sequence. “The Egyptian religious practices, zoomorphic pantheon of gods, concepts of death and rebirth, sorcery, magic and medicine all have their origins in the primal culture of the First Day.”2

We see the presence of Egyptians in Australia beginning at around 5,000 years ago, entirely in keeping with a global history that saw, for a variety of reasons too complex to discuss now, the Australian Aboriginal mariners and explorers finally return to Australia at around the same time. We believe the glyphs and other Egyptian remains found ‘within two hours of Sydney’ bear testimony to a spiritual sabbatical to the place where Egyptian religion and culture began.

That the Gosford Glyphs are so close to the sacred Durramullan site suggests an agreement between the first Australians and people from a distant continent. The Durramullan platform is undeniably special, and the Glyphs are an integral part of this arrangement, unique not only in Australia but the world. The Egyptian crypt and engravings, dedicated to the memory of the son of a Pharaoh, was constructed close to the Durramullan rock platform and could only be created with the consent of the local Aboriginals.

Of course, if Australian Aboriginals did sail the globe in ancient times this journey is dependent upon ocean-going boats being constructed in Australia. Up at the Top End there are many engravings and paintings of boats which are mistakenly claimed to be inspired by Maccassan boats fishing for trepan. No such claims can be made for the engraving of an ocean-going boat found in the northern section of the Gosford site. The boat’s design, with a steep prow and stern, has one primary function: to sail through large waves. It would be a waste of time, effort and resources to construct a boat according to the shape and proportions engraved into the rock, if the vessel sailed in stiller waters. More importantly, this engraving goes a long way towards establishing the claims made by Ramindjeri Elders. If indeed, as they insist, their ancestors circumnavigated the globe in a figure eight then this sophisticated design would serve that purpose.

That engraving and the Ramindjeri account provide answers to a series of unresolved questions that mainstream academia are unable to appreciate. The presence of Australian Aboriginal people in America was the focus of Issue 35 of the highly respected science magazine Cosmos. The front cover carried the following caption: “Did Aborigines discover America? Startling new finds suggest Australia’s first people made it all the way to South America more than 11,000 years ago.”3

Of course, America was merely one port-of-call when the First Australians set sail. “Dr. Raghavendra and researchers from the Indian-government backed Anthropological Survey of India project found unique genetic mutations were shared between modern-day Indians and Aborigines.”4 They “identified seven people from central Dravidian and Austro-Asiatic tribes who shared genetic traits only found in Aborigines.”5 These facts, along with newly discovered Australian genetic links to a hominid in Siberia referred to as Denosovan, necessitate the same means of transport: a boat.

However, the plan of a boat is insufficient. Also required are both the tools needed to construct such a vessel and navigational skills before sailing to India, America, Asia, Egypt or any other destination. An axe is an essential prerequisite if building a vessel capable of sailing across oceans. In keeping with all other firsts, it should come as no surprise that the oldest axes yet found are located within Sahul (the greater Australian continent which includes PNG, Tasmania, etc). The oldest axe was found at Huon Terrace (PNG) and is dated at 40,000 years, followed by an axe found in Jawoyn land (N.T.) claimed to be 35,500 years old. Remaining within Australia, an axe was discovered at Sandy Creek (QLD 32,000 years) and another at Malangangerr (N.T. 23,000 years). In what confirms the antiquity of Australian axe technology, and by association boats, Angel John Gallard has in his possession a hand-held chopper (the precursor to the axe) which he believes to be no less than 60,000 years old, with the real possibility it is over 100,000 years old. The oldest axe discovered outside Australia was found at Niah Cave (Sarawak) and is thought to be 15,500 years old.

For such an epic journey to succeed, especially if circumnavigating the world in a figure eight, Aboriginal mariners must have navigated by the stars. Once again it all begins here. As announced by a team of scientists from the CSIRO, the oldest astronomical construction was found at Wurdi Youang (Victoria). “The strange stone arrangement”6 has “two points set in perfect alignment with the setting sun on a midsummer’s day.”7 CSIRO experts are of the opinion the “ancient Aboriginal sundial could be upwards of 10,000 years old.”8 Nor do these rocks stand in isolation – there are two sets of walls recently found in the Snowy Mountains, the first is aligned east-west, marking out the conjunction of planets and contains no less than 10,000 rocks. The second is at least four times bigger and runs down an extremely steep slope.

Within ‘two hours from Sydney’ is a perfectly aligned five-rocked compass and another construction that is far more enigmatic, which for obvious reasons, we call ‘mini-Stonehenge’. It is made up of 46 stones in the inner circle and 18 rocks forming what we feel are clusters of stars. The four directions are marked out by arches with a horizontal stone supported by stone pillars. All four constructions, although separated by hundreds of kilometres, serve the same purpose: charting the heavens.

There is one pattern exhibited by these sites that seems to openly contradict an artistic maxim we assumed held fast throughout Australia. It was our belief that traditional Aboriginal art was region specific. Within this area we have found over 25 styles/techniques, many of which are claimed to be created in one tribal estate. We found evidence of the following Aboriginal artistic styles: Panaramitee; X-Ray; Figurative; Mimi; Lightning Brothers; Wandjina; Papunya; Hand stencils (two types); Representational; Rock engraving; Rock Pecking; Stone Arrangements; Bands across the body; Egyptian symbols; Bird prints; Engraved shield design (found throughout Australia); Profiled spirits; and others we could not identify.

Where does that leave us? Relying on textbooks and academics ‘dazed and confused’… Or there is an alternative route. We are convinced the First Australians are completely separate to the Africans and were the first homo sapien sapiens. It was from Australia, not Africa, the first migration originated, and it is from Australia that religion, gender equality, astronomy, burials, sailing, music, art, democracy and all the nobler pursuits began. And it is in Australia, in particular the area ‘within 2 hours from Sydney’, that proof of this global legacy can still be found.

Steve Strong has contributed an article on the ancient Egyptian connection to Australia in New Dawn Special Issue 19.

Messages from Metatron 2013

The year 2013 is the year of " Formatting Codes"  and it is within the quadratic influx, of an equinox, solstice, lunar eclipse and solar eclipse that two incredibly pertinent coded- portals occur. These are the ‘Green Ray Activation ‘ in August and the ‘Renaissance Formatting’ in September . The latter of which completes in the solar eclipse of November.

The Green Ray Infinity-Gate Activation

In August the Green Ray Infinity Portal occurs in the aperture activation of the Emerald Flame. The primary opening apex is from August 12-21, 2013.

Message Channeled from Archangle Michael by James Tyberon

Dear Ones, just as your dimensional access increased with the planetary Ascension, so does your chakra field. So it is that the initial Sacred Codes of each new chakra be received and installed beginning in Year One of the New Earth.

And we tell you the 4th, 8th & 9th dimensions are formulated through and with the Emerald-Ray. The 8th & 9th dimensions will begin completing receival of the Geo-Codes of Thoth, through the aperture of the Emerald Flame Activation. It initiates in the 8th month and completes in the 9th on the Equinox. The apexial phase begins with the Perseid s Meteor influx, and culminates on the full moon . (Understand that astrological, astronomical events are energy shift catalysts, and in the New Earth, these are the base mechanisms of the new paradigm formation.)

The Emerald Flame is a vibratory Essence that is Healing & Nurturing, and by receiving the Codes of the Green Ray Activation, the 8th and 9th Chakric Fields will expand into more lucid reception and perception from and into the 8th and 9th Dimension in the Physio Realm, and into the 16th-18th Chakric sensory of the etheric level 13-20-33 Mer-Ka-Na Field.

Accordingly humanity can receive these codes as they complete the portal downloads of the Green Ray Infinity (8) Portal. These codes are synergized into the 8th & 9th Physio-Chakras, through the guidance of Archangel Raphael.

As you become more settled into the higher frequencies of the New Earth, it is incumbent upon you to calibrate to the expanded Chakra Alignments of the Crystalline Lite Body, the Mer-Ka-Na. Naturally the Earth is adjusting her resonance to refashion the chakric centers of the planet to receive and distribute the energies for humanity.

Power Dates & Activation Phases of 2013

The energies of 2013 will be somewhat less intense than the 2012 continual bombardment of solar wind amplifiers and astro portal flurries that were made to finish the Crystalline Grid, and in kind force you into upshift. 2012 was a year in which every month sequentially raised the frequencial bar. It was an obstacle course of increasing frequencies. In 2012 you were getting ready for the expansion.

So in 2013 you are reformatting to the New Earth. The frequencies that poured in continually last year, now must be fined tuned. You have several points of relaxation in 2013 that allow you to catch your breath. None the less the year contains 2 essential quadric power phases that will take effort.

Two quadric phases of intense energy adjustment will take place. These are the phases when you will find out what you’re really made of, and realize how far you have come.

"You must stay positive and focused on what matters during this year. What you choose to focus on when resonant inserts get more challenging will determine everything. It is essential that you remain on path, and indeed by doing so you will expand far more than you may realize."

2013 is a year of rebirth of renaissance. It is a year in which you will learn how to navigate in dimensions 5-12. It is a year in which you will receive codes for the new dimensions. By achieving dimensional coherency you will expand into greater resonance with the conscious Earth Kingdoms. This was not entirely possible before the Ascension. This integration logically could not be fully achieved until the Crystalline Grid completed in December of 2012.

Accordingly 2013 is the year for such formatting.

The remaining key phases are coded & multifaceted. Each of the below dates in 2013 offer the following:

August 16-21 – The Green Ray Activation
September 20- 22 – Equinox ‘Time-Gate’ Portal of Renaissance
October 18 – Lunar Eclipse
November 3 – Solar Eclipse
December 21, 2013 – Solstice

The ‘Time-Gate Renaissance Portal’

The ‘Renaissance’ Portal occurs from the September Equinox & completes on the Solar Eclipse. This aperture will align the New Earth to 3 phases of ‘enlightenment. Do not doubt that just as there are star gates and worm holes that connect the planet (and humanity) to higher dimensions, there are also ‘Time Gate Portals’ that connect to other epochs.

Just as similar frequencies attract through the ‘Law of Harmonic Oscillation’ so do the vibratory fields of planetary ‘eras’ naturally align. There are 3 ‘Golden Ages’ in which many of you were present that achieved very high levels of consciousness. These are:

1) The Golden Age of Atlantis ( Poseidon Law of One)
2) The Golden Age of LeMuria
3) The Golden Age of Greece

Through the Aquarian Shift, 144-Crystalline Grid and the expansion into 12 dimensions, you are able to draw the attributes & codes of these higher time periods into a more direct harmonic relationship with the ongoing up-shift of humanity in the current time. The codes of these eras will allow for a much closer interface with the 3 Golden eras mentioned.

This will assist humanity by allowing the simultaneous time aspect of those phases to integrate more completely with the evolving phase you are entering. The two phases the era of the Golden Age of Greece and of Poseidon.

The Golden Codes of Greece & Poseidon will be brought in through the planetary ‘Naval’ (umbilical ) Portal of Delphi and the Codes of Golden leMuria will enter the earthplane at Rapa Nui. This will occur through the 10th, 11th and 12th dimensions and be received via the 10th, 11th and 12th physio chakras in the Mer-Ka Na field, and through the 20th and 33rd chakras of the etheric levels of the Mer-Ka-Na field.

It should not surprise you that all 3 of these (prior) Golden Ages were phases in which many of you were and are , in simultaneous time), present. We tell you that these aspects of your multidimensional selves are playing a major role in coordinating the harmonic interfacing that will occur in the ‘Renaissance Portal’. That is why some of you will be called to anchor these energies in download at the two primary Star-Gates of Delphi & Rapa Nui. This is the reason we directed the channel to take groups to these locales over the two equinoxes of 2013.

Rediscover Passion in 2013 !!

Dear Ones, it is time to rediscover passion and joy, as did the Masters of the Golden Age. It is time to regain the balance. Life is not meant to be only work, rather the equity of well being and contained within the raptures of bliss. Joy has a geometric code and pattern, and you can discover joy & indeed groom it !

Happiness is acquired, and we tell you that the energy of passion is the driving engine of manifestation. Passion is the fabric of your life- fervor & is an essential part of heart-courage and will. You are not meant to be indifferent, sad or apathetic !

Learning to create & project joy is a huge accomplishment ! And indeed joy has a geo-coded essence that can be received in the Renaissance. of 2013. And remember, you are never ‘too old’. You are here with purpose and that is too live life fully and create the NEW EARTH !

When you enter into periods of fatigue or apathy you MUST work out of them. Find joy, do not spiral into indifference, for every moment of life is precious and purposed !

Come to the LIVE YOUR PASSION Seminars this month to discover that your soul has a purpose for being here and how you can find out what that is.

Click on the image below to see dates and locations, details of the event and book in.